With the advent of the digital era, many have wanted to see the birth not only of new filmmaking methods, but also of new ways to watch cinema. Possibilities for new cinematographic production processes are now accessible, new aesthetic trends and new narrative and acting methods have also emerged. Cinema is not what it used to be anymore, and for this reason, new means and methods to commercialize films have also been opened: new distribution channels as well as new ways of screening the films. New, new, new......remaining at a standstill when it comes to the old film industry model of the last century is like closing you eyes to the future. For this reason we either invent or we make mistakes.

The filmmaker Lars Von Trier, by way of a  new manifest: “Declaration of Revitalization”, has reacted once again “against himself and his own cinema”, and at the same time “against the current production system and the publicity circus causing commotion around artistically relevant films”.
The Danish director acknowledges that he wants to relive the original enthusiasm he felt making films: “I will reduce the scope of my productions in terms of funding, technology, the size of the team...”